news and views: archive highlights
SOLD SMALL WORKS EXHIBITION
Main Street Arts Gallery November 4, 2021 - December 23, 2022
'Noisette SVP' has found a new home. I hope it will remind the new collectors of Paris every time they look at it!
Main Street Arts Gallery November 4, 2021 - December 23, 2022
'Noisette SVP' has found a new home. I hope it will remind the new collectors of Paris every time they look at it!
PAINTING SELECTED FOR TAUBMAN MUSEUM JURIED TRIENNIAL
December 17, 2021 - March 6, 2022
Selfie Series II was exhibited at the Taubman Museum's Homeward Bound exhibition. Juror Nandini Makrandi, contemporary curator at Hunter Museum, selected 70 works from over 1100 submissions. My painting was one of fourteen featured in Ms. Makrandi's opening remarks and inspired poet Cynthia Atkins to write 'Instagram Girl'..
December 17, 2021 - March 6, 2022
Selfie Series II was exhibited at the Taubman Museum's Homeward Bound exhibition. Juror Nandini Makrandi, contemporary curator at Hunter Museum, selected 70 works from over 1100 submissions. My painting was one of fourteen featured in Ms. Makrandi's opening remarks and inspired poet Cynthia Atkins to write 'Instagram Girl'..
SHE: AN EXPRESSION OF WOMANHOOD
FEBRUARY 14 - SEPTEMBER 27 2020 (SEE INVITATION)
Cinderella Revisited (at left) from my Disneyland ceramic series, was selected by juror Camilla Clough, Senior Program Manager at the Smithsonian National Museum of American History, for inclusion in the SHE exhibition (video) at the Annmarie Sculpture Garden, an institution committed to connecting people to art.
'FRAGMENTS' ARC GALLERIES, San Francisco
November 21 - December 19, 2020
November 21st to December 19th, 2020
A pairing of my ceramic sheets was exhibited at the ARC Studios & Gallery. Listen to the participating artists ZOOM talk. SOLD
November 21 - December 19, 2020
November 21st to December 19th, 2020
A pairing of my ceramic sheets was exhibited at the ARC Studios & Gallery. Listen to the participating artists ZOOM talk. SOLD
'UNTIL WE MEET AGAIN'
Treat Gallery, NYC, May 2020
My gouache painting 'Norma' was selected as one of 49 out of 400 works for their new online exhibition Until We Meet Again. With this latest exhibition, Treat Gallery continues to put into practice their mission of helping others through contemporary art. The group show addresses feelings of social isolation.
Treat Gallery, NYC, May 2020
My gouache painting 'Norma' was selected as one of 49 out of 400 works for their new online exhibition Until We Meet Again. With this latest exhibition, Treat Gallery continues to put into practice their mission of helping others through contemporary art. The group show addresses feelings of social isolation.
ReSISTERS EXHIBITION
2020 NATIONAL CLAY CONFERENCE CANCELLED
Learn more about the mixed media conceptual works I created for these invitational exhibitions and watch the video here.
2020 NATIONAL CLAY CONFERENCE CANCELLED
Learn more about the mixed media conceptual works I created for these invitational exhibitions and watch the video here.
THE HUMAN CONDITION EXHIBITION
ATHANEAUM GALLERY, ALEXANDRIA FEB 16 - MARCH 22, 2020
The magnificent Atheneaum Gallery in Old Town Alexandria presented a select number of works that addressed The Human Condition. One of my Selfie paintings was on show. Besides exploring the physical form, artists were asked to consider how a person's personality, emotions, challenges, preferences, and experiences can be visually represented. In the age of selfies, one is continually studying oneself as an objective observer. This was the last physical exhibition of my work before the reality of the CORONA virus began to affect every aspect of our lives.
ATHANEAUM GALLERY, ALEXANDRIA FEB 16 - MARCH 22, 2020
The magnificent Atheneaum Gallery in Old Town Alexandria presented a select number of works that addressed The Human Condition. One of my Selfie paintings was on show. Besides exploring the physical form, artists were asked to consider how a person's personality, emotions, challenges, preferences, and experiences can be visually represented. In the age of selfies, one is continually studying oneself as an objective observer. This was the last physical exhibition of my work before the reality of the CORONA virus began to affect every aspect of our lives.
in ANIMAL BEHAVIOR May - August, 2020
bG Gallery/Gestalt Projects in conjunction with ARTSY
Two of my ceramic works (including Beware the Advisor, left) were selected for Animal Behavior, a group show of diverse artists whose work speaks of the bond between animal and human, and depicts the human characteristics we see in animals. With social distancing still in place, bG Gallery organized a zoom opening night in which the artists showcased their works and their pets!
All works in this exhibition can be seen here. Sales through ARTSY.
bG Gallery/Gestalt Projects in conjunction with ARTSY
Two of my ceramic works (including Beware the Advisor, left) were selected for Animal Behavior, a group show of diverse artists whose work speaks of the bond between animal and human, and depicts the human characteristics we see in animals. With social distancing still in place, bG Gallery organized a zoom opening night in which the artists showcased their works and their pets!
All works in this exhibition can be seen here. Sales through ARTSY.
TO HEAL THE WORLD
June 15 - 18 August, 2020
My ceramic sculpture, Generations, was selected for inclusion in CARAVAN's To Heal The World. This work was created with a heavy heart, yet with a semblance of hope for the future. My fears for our beautiful planet are tempered by the hope that our mistakes will not be repeated by generations to come. And it appears that there is indeed a groundswell of youth who are ready to stand up and protect that which we abused –
the healing will come and the young will climb on the shoulders of the elderly to forge a new world.
June 15 - 18 August, 2020
My ceramic sculpture, Generations, was selected for inclusion in CARAVAN's To Heal The World. This work was created with a heavy heart, yet with a semblance of hope for the future. My fears for our beautiful planet are tempered by the hope that our mistakes will not be repeated by generations to come. And it appears that there is indeed a groundswell of youth who are ready to stand up and protect that which we abused –
the healing will come and the young will climb on the shoulders of the elderly to forge a new world.
SEPTEMBER 2019: FRANCE HERE I COME - AGAIN
You can take the girl out of France, but you can't take the French out of the girl! Aside from the artist residency in Hyeres for the month of July (SEE DETAILS ABOVE) my work was included in an exhibition at the magnificent Benedictine abbey (pictured left) organized by Les Amis de la Grande Vigne together with the Yvonne Jean-Haffen Museum in Dinan.
You can take the girl out of France, but you can't take the French out of the girl! Aside from the artist residency in Hyeres for the month of July (SEE DETAILS ABOVE) my work was included in an exhibition at the magnificent Benedictine abbey (pictured left) organized by Les Amis de la Grande Vigne together with the Yvonne Jean-Haffen Museum in Dinan.
CERAMIC WORK SELECTED FOR 'SMALL FAVORS' EXHIBITION
The Clay Studio, Philadelphia, PA JUNE 2019
The Clay Studio, a leading light in the ceramic arts, showcased selected ceramic works no larger than 4" x 4", in a variety of styles. It is fascinating to see how much punch small works can pack. My ceramic sculpture, Collateral Damage (left), was exhibited in this year's juried exhibition.
The Clay Studio, Philadelphia, PA JUNE 2019
The Clay Studio, a leading light in the ceramic arts, showcased selected ceramic works no larger than 4" x 4", in a variety of styles. It is fascinating to see how much punch small works can pack. My ceramic sculpture, Collateral Damage (left), was exhibited in this year's juried exhibition.
SPEEDBALL ART PRIZE JAN 2019 : THE BIG PICTURE COLLECTIVE
I uploaded an image of one of my works onto The Big Picture Collective because I believe in their mission - bringing together thousands of artists from all around the world to create a humongous mosaic picture that reflects our multi-cultural world. It is totally cool - check out where my work fits in the Big Picture here. I thought I had done my bit but then I received word that my image, Self Portrait with a Goat (left), was selected out of hundreds of entries for the Speedball Art Prize!
I uploaded an image of one of my works onto The Big Picture Collective because I believe in their mission - bringing together thousands of artists from all around the world to create a humongous mosaic picture that reflects our multi-cultural world. It is totally cool - check out where my work fits in the Big Picture here. I thought I had done my bit but then I received word that my image, Self Portrait with a Goat (left), was selected out of hundreds of entries for the Speedball Art Prize!
ESPRIT DE FRANCE Exhibition and workshop
Western Wyoming Community College Gallery OCT - NOV 2018
Western Wyoming Community College exhibited my French Girls mixed media series in a two-woman show with collage artist, Lili Francuz.
It was a pleasure to teach a 3-day intensive workshop on collage technique in conjunction with the show. Collage is one of the most democratic of mediums requiring at its very basic, a pair of scissors, glue, and found scraps of paper. Picasso and Braque were the first artists to use pre- existing materials in their art.
Western Wyoming Community College Gallery OCT - NOV 2018
Western Wyoming Community College exhibited my French Girls mixed media series in a two-woman show with collage artist, Lili Francuz.
It was a pleasure to teach a 3-day intensive workshop on collage technique in conjunction with the show. Collage is one of the most democratic of mediums requiring at its very basic, a pair of scissors, glue, and found scraps of paper. Picasso and Braque were the first artists to use pre- existing materials in their art.
ARTIST IN RESIDENCE JULY 2019
LMSTUDIO IN HYERES, FRANCE
Artist residencies are all about experimentation and allowing the new environment to organically insert itself into one's work. The mixed media work at left (SOLD) was initially inspired by the colors of the French flag - prominently displayed in anticipation of Bastille Day, France's Independence Day. I've been working on watercolor, mixed media and getting back to my first love - painting! Check out my blog and my INSTAGRAM @liliannemilgrom for more about my experience.
LMSTUDIO IN HYERES, FRANCE
Artist residencies are all about experimentation and allowing the new environment to organically insert itself into one's work. The mixed media work at left (SOLD) was initially inspired by the colors of the French flag - prominently displayed in anticipation of Bastille Day, France's Independence Day. I've been working on watercolor, mixed media and getting back to my first love - painting! Check out my blog and my INSTAGRAM @liliannemilgrom for more about my experience.
MILGROM ARTICLE ON MORANDI/DE WAAL
Ceramics Monthly Magazine, June Quarterly edition 2018
I was fortunate enough to experience a stunning exhibition at Stockholm's Artipelag Museum last year: 'Morandi/Edmund de Waal'. Everything about this exhibition was designed to inspire stillness, encourage contemplation, and amplify the sounds of silence. To experience the Morandi/Edmund de Waal exhibition was to divorce oneself from the chaos of the modern world.
My featured review of this exhibition has been published in Ceramics Monthly, the leading magazine on the ceramic arts. Read the article here.
Ceramics Monthly Magazine, June Quarterly edition 2018
I was fortunate enough to experience a stunning exhibition at Stockholm's Artipelag Museum last year: 'Morandi/Edmund de Waal'. Everything about this exhibition was designed to inspire stillness, encourage contemplation, and amplify the sounds of silence. To experience the Morandi/Edmund de Waal exhibition was to divorce oneself from the chaos of the modern world.
My featured review of this exhibition has been published in Ceramics Monthly, the leading magazine on the ceramic arts. Read the article here.
AWARD WINNING DIPTYCH SELECTED FOR PUBLICATION IN
'ACRYLIC WORKS 5', North Light Publishing, 2018
For over 30 years, North Light Books has been the trusted resource for artists seeking instruction, inspiration or motivation. 'Le Rouge et le Noir' from my Summer in Paris exhibition has been selected for North Light's 2018 edition of 'Acrylic Works', featuring the best of acrylic paintings. Southwest Art Magazine is a partner.
Copies can be purchased through their website.
'ACRYLIC WORKS 5', North Light Publishing, 2018
For over 30 years, North Light Books has been the trusted resource for artists seeking instruction, inspiration or motivation. 'Le Rouge et le Noir' from my Summer in Paris exhibition has been selected for North Light's 2018 edition of 'Acrylic Works', featuring the best of acrylic paintings. Southwest Art Magazine is a partner.
Copies can be purchased through their website.
'LIVING WITHOUT/VIVIR SIN' LIMITED EDITION (Madrid, 2018)
Artwork/Lilianne Milgrom Poetry/Saul Sosnowski
Boutique press and gallery, Centro de Arte Moderno, in Madrid, Spain, published a limited edition art/poetry book (100 signed copies) of the
poems written by Professor Saul Sosnowski in response to ceramic books from my installation Living Without Them. This collaborative is designed as a folio of of poems and images from exhibition. Learn more here.
Artwork/Lilianne Milgrom Poetry/Saul Sosnowski
Boutique press and gallery, Centro de Arte Moderno, in Madrid, Spain, published a limited edition art/poetry book (100 signed copies) of the
poems written by Professor Saul Sosnowski in response to ceramic books from my installation Living Without Them. This collaborative is designed as a folio of of poems and images from exhibition. Learn more here.
Woman communing with her roses.
FINALIST: CROSS MACKENZIE HOLIDAY CLAY COMPETITION
District Clay Center 2018
My work was selected by one of the leading national galleries known for showcasing ceramic art. The sculpture (left) is from a series interweaving figurative human elements and representatives from the natural world may appear whimsical at first glance. Upon closer inspection however, one can discern an underlying darker narrative. They are the antithesis of the smooth and shiny figurine tradition.
District Clay Center 2018
My work was selected by one of the leading national galleries known for showcasing ceramic art. The sculpture (left) is from a series interweaving figurative human elements and representatives from the natural world may appear whimsical at first glance. Upon closer inspection however, one can discern an underlying darker narrative. They are the antithesis of the smooth and shiny figurine tradition.
DRAWN THOUGHT - ARTIST SKETCHBOOK SHOW
WWCC, Wyoming. January 17- February 22, 2018
Curator and Professor of Art the the Western Wyoming Community College, Florence Alfano McEwin, gathered an eclectic group of artists in an exhibition entitled Drawn Thought. Most artists use some form of sketchbook that is a private gateway to their subconscious thoughts and preliminary ideas. The exhibition featured artists' sketchbooks portraying a variety of styles and reflections. I was represented in this show by a sketchbook completed during my residency at VCCA, Amherst, VA. Read reviews here.
WWCC, Wyoming. January 17- February 22, 2018
Curator and Professor of Art the the Western Wyoming Community College, Florence Alfano McEwin, gathered an eclectic group of artists in an exhibition entitled Drawn Thought. Most artists use some form of sketchbook that is a private gateway to their subconscious thoughts and preliminary ideas. The exhibition featured artists' sketchbooks portraying a variety of styles and reflections. I was represented in this show by a sketchbook completed during my residency at VCCA, Amherst, VA. Read reviews here.
ARTICLE BY LILIANNE MILGROM
CERAMICS ART AND PERCEPTION October/November 2017
My article, I Love a Sunburnt Country, reviews a sprawling, groundbreaking exhibition of ceramic works and paintings by the Boyds of Murrumbeena, a unique Australian dynasty of artists whose legacy influenced Australian art in the 20th century to the present day. Read the article here.
CERAMICS ART AND PERCEPTION October/November 2017
My article, I Love a Sunburnt Country, reviews a sprawling, groundbreaking exhibition of ceramic works and paintings by the Boyds of Murrumbeena, a unique Australian dynasty of artists whose legacy influenced Australian art in the 20th century to the present day. Read the article here.
ARTIST RESIDENCY AWARD
Auvillar, France October/November 2017
I was honored to have been selected as a resident at the Virginia Center for Creative Arts artist residency in the picturesque village of Auvillar, France. I spent my time experimenting with a looser form of painting, as well as working on my novel inspired by Gustave Courbet. Read about my adventures on my blog.
Auvillar, France October/November 2017
I was honored to have been selected as a resident at the Virginia Center for Creative Arts artist residency in the picturesque village of Auvillar, France. I spent my time experimenting with a looser form of painting, as well as working on my novel inspired by Gustave Courbet. Read about my adventures on my blog.
FEATURED ARTIST
ARTSY SHARK August/September 2017
Artsy Shark, founded by Carolyn Edlund, Executive Director of The Arts Business Institute, partners with leading art magazines and commercial enterprises to offer artist-based resources and is dedicated to promoting art as a business. I was selected as September's Featured Artist.
ARTSY SHARK August/September 2017
Artsy Shark, founded by Carolyn Edlund, Executive Director of The Arts Business Institute, partners with leading art magazines and commercial enterprises to offer artist-based resources and is dedicated to promoting art as a business. I was selected as September's Featured Artist.
FEATURE ARTICLE BY LILIANNE MILGROM
JANUARY 2017 ISSUE CERAMICS MONTHLY MAGAZINE
My feature article entitled 'Amy Kennedy: Study in Contrasts' appeared in the January 2017 issue of Ceramics Monthly, one of the world's leading publications dedicated to contemporary ceramics.
Australian ceramicist Amy Kennedy has developed a body of work that is unique in both material and process. I investigate her work and interview the artist after she completes a residency in Iceland. Read the full article about Amy's work process and the work inspired by her experience in Iceland.
JANUARY 2017 ISSUE CERAMICS MONTHLY MAGAZINE
My feature article entitled 'Amy Kennedy: Study in Contrasts' appeared in the January 2017 issue of Ceramics Monthly, one of the world's leading publications dedicated to contemporary ceramics.
Australian ceramicist Amy Kennedy has developed a body of work that is unique in both material and process. I investigate her work and interview the artist after she completes a residency in Iceland. Read the full article about Amy's work process and the work inspired by her experience in Iceland.
SMALL FAVORS: THINK INSIDE THE BOX
CLAY STUDIO, PHILADELPHIA MARCH 3- MAY 27, 2017
The Clay Studio in Philadelphia is a premier gallery/educational institute that promotes the ceramic arts. My 4" high figurine,The Golden Egg (pictured at left) was exhibited in this year's international annual exhibition of small works. Juror Michael Radyk states that "the exhibition makes small noble, and invites us to stop, focus and look. In the selected works you can find big ideas, individuality, material awareness and joy in those tiny spaces."
CLAY STUDIO, PHILADELPHIA MARCH 3- MAY 27, 2017
The Clay Studio in Philadelphia is a premier gallery/educational institute that promotes the ceramic arts. My 4" high figurine,The Golden Egg (pictured at left) was exhibited in this year's international annual exhibition of small works. Juror Michael Radyk states that "the exhibition makes small noble, and invites us to stop, focus and look. In the selected works you can find big ideas, individuality, material awareness and joy in those tiny spaces."
83RD INTERNATIONAL EXHIBITION OF FINE ART IN MINIATURE
STRATHMORE MANSION, BETHESDA MD, 11.20.16-12.31.16
AWARD WINNER
Fine art in miniature has a long, well-documented history. Two of my 4" x 4" works - San Francisco (left) and Subiaco (award winner) were on show at the stately Strathmore Mansion. This year's exhibition attracted 730 entrants from around the world. A good magnifying glass is a must!
STRATHMORE MANSION, BETHESDA MD, 11.20.16-12.31.16
AWARD WINNER
Fine art in miniature has a long, well-documented history. Two of my 4" x 4" works - San Francisco (left) and Subiaco (award winner) were on show at the stately Strathmore Mansion. This year's exhibition attracted 730 entrants from around the world. A good magnifying glass is a must!
OH JOY! EXHIBITION, ALEXANDRIA, VA
ATHENAEUM GALLERY 9.18.16 - 11.6.16
The Athenaeum Gallery is housed in a gorgeous historical building in Alexandria, VA. Their Oh! The joy! exhibition garnered hundreds of submissions. My painting Another World (left) was accepted as one of 37
works selected to represent artists' interpretations of joy.
ATHENAEUM GALLERY 9.18.16 - 11.6.16
The Athenaeum Gallery is housed in a gorgeous historical building in Alexandria, VA. Their Oh! The joy! exhibition garnered hundreds of submissions. My painting Another World (left) was accepted as one of 37
works selected to represent artists' interpretations of joy.
COME FLY WITH ME IN BROOKLYN, NY!
BWAC : CLAY IV 'UP AGAINST THE WALL' October, 2016
Several of my wall mounted clay creations including Wonder Woman jug (left) will be on exhibit in the Brooklyn Waterfront Artists Coalition Art in Clay series. This is my second time being juried into the BWAC's competitive exhibitions.
BWAC : CLAY IV 'UP AGAINST THE WALL' October, 2016
Several of my wall mounted clay creations including Wonder Woman jug (left) will be on exhibit in the Brooklyn Waterfront Artists Coalition Art in Clay series. This is my second time being juried into the BWAC's competitive exhibitions.
'THE BRIDGE' EXHIBITION : PEACE BUILDING THROUGH THE ARTS
LAST STOP ON WORLD TOUR - WYOMING SEPTEMBER 2016
As co-curator and participating artist of the traveling exhibition, The Bridge, I was on the road speaking at four different venues in Wyoming spreading the word of mutual respect and acceptance between diverse cultures and beliefs. More about this important group show and the inspiration for my painting here.
LAST STOP ON WORLD TOUR - WYOMING SEPTEMBER 2016
As co-curator and participating artist of the traveling exhibition, The Bridge, I was on the road speaking at four different venues in Wyoming spreading the word of mutual respect and acceptance between diverse cultures and beliefs. More about this important group show and the inspiration for my painting here.
'WE ARE HERE' EXHIBITION, MELBOURNE, AUSTRALIA MAY 6 - 29, 2016
The Contemporary Collective in Melbourne, Australia created a unique exhibition based on the exploration of contemporary portraiture as a response to hatred and hope. I am very pleased to have had my photographic triptych, Shadows - based on my mother's Holocaust experience - selected by curator Helen Light for this exhibition. More details here.
The Contemporary Collective in Melbourne, Australia created a unique exhibition based on the exploration of contemporary portraiture as a response to hatred and hope. I am very pleased to have had my photographic triptych, Shadows - based on my mother's Holocaust experience - selected by curator Helen Light for this exhibition. More details here.
FEATURE ARTICLE BY LILIANNE MILGROM
MARCH 2016 ISSUE OF CERAMICS MONTHLY MAGAZINE
My feature article entitled 'Beth Katleman: After Folly' was published in the March issue of Ceramics Monthly, one of the world's leading publications dedicated to contemporary ceramics.
Brooklyn-based Beth Katleman has forged a successful career by creating intriguing porcelain installations that straddle the art, design and commercial worlds. Read my article for more about her inspiration and process.
MARCH 2016 ISSUE OF CERAMICS MONTHLY MAGAZINE
My feature article entitled 'Beth Katleman: After Folly' was published in the March issue of Ceramics Monthly, one of the world's leading publications dedicated to contemporary ceramics.
Brooklyn-based Beth Katleman has forged a successful career by creating intriguing porcelain installations that straddle the art, design and commercial worlds. Read my article for more about her inspiration and process.
'ROAD TRIP' EXHIBITION, GALLERY UNDERGROUND MAY 2-27
Two of my paintings were on view at Crystal City's Gallery Underground, voted best gallery in Arlington, VA. The exhibition showcased nationally juried works that evoked the theme 'Road Trip'. My acrylic painting Americana: PA was chosen to represent the exhibition on the postcard for the show (at left).
Two of my paintings were on view at Crystal City's Gallery Underground, voted best gallery in Arlington, VA. The exhibition showcased nationally juried works that evoked the theme 'Road Trip'. My acrylic painting Americana: PA was chosen to represent the exhibition on the postcard for the show (at left).
LILIANNE MILGROM FEATURED IN INTERNATIONAL EDITION OF ARTA
ARTA magazine, produced bi-annually in Romania and distributed internationally, brings together essays, reviews, and in-depth interviews. It contains critical discussions about artistic and cultural phenomena in Romania, analyzed against the backdrop of the international context. The latest issue is dedicated to contemporary ceramics in Romania. My work, 'If the shoe fits....buy it ', exhibited at Galateea gallery in Bucharest last year, caught the eye of a leading art critic and resulted in a full-length feature article in ARTA spotlighting my conceptual ceramic installations. The article was written and translated by art historian, Ioana Savu Gruita.
ARTA magazine, produced bi-annually in Romania and distributed internationally, brings together essays, reviews, and in-depth interviews. It contains critical discussions about artistic and cultural phenomena in Romania, analyzed against the backdrop of the international context. The latest issue is dedicated to contemporary ceramics in Romania. My work, 'If the shoe fits....buy it ', exhibited at Galateea gallery in Bucharest last year, caught the eye of a leading art critic and resulted in a full-length feature article in ARTA spotlighting my conceptual ceramic installations. The article was written and translated by art historian, Ioana Savu Gruita.
Narrow Bridge by Lilianne Milgrom SOLD
'THE BRIDGE' EXHIBITION WRAPPING UP EUROPEAN TOUR
The Bridge exhibition, spreading the word of mutual respect and acceptance between diverse cultures and beliefs, will soon be launching its US tour debuting in New York City on January 19, 2016. The works have just completed their Metz, France exhibition following highly successful showings in London's Saint Martins in the Field and in Paris' Saint-Germain des pres.
My painting, Narrow Bridge (left), sold to a Swiss collector at the London opening. Read more about this unique traveling show and the inspiration for my painting here.
The Bridge exhibition, spreading the word of mutual respect and acceptance between diverse cultures and beliefs, will soon be launching its US tour debuting in New York City on January 19, 2016. The works have just completed their Metz, France exhibition following highly successful showings in London's Saint Martins in the Field and in Paris' Saint-Germain des pres.
My painting, Narrow Bridge (left), sold to a Swiss collector at the London opening. Read more about this unique traveling show and the inspiration for my painting here.
VISAURAL EXHIBITION NAVE GALLERY, BOSTON October 8-31, 2015
My multi media work 'Encroach' was exhibited at Nave Gallery. 'Encroach' is a
sound-based collaborative installation created during my residency at the Virginia Center for the Creative Arts in 2014 together with composer Juan Sebastian Vassallo.
My multi media work 'Encroach' was exhibited at Nave Gallery. 'Encroach' is a
sound-based collaborative installation created during my residency at the Virginia Center for the Creative Arts in 2014 together with composer Juan Sebastian Vassallo.
'WOMEN OF THE BOOK' EXHIBIT AT THE JERUSALEM BIENNALE September 2015, First Train Station Venue, Jerusalem
Women of the Book project - the visual interpretation of the Torah scroll by 54 Jewish women artists - was exhibited prominently in this year's Jerusalem Biennale. Learn more about my illustration for the Ki Tavo Torah portion here.
Women of the Book project - the visual interpretation of the Torah scroll by 54 Jewish women artists - was exhibited prominently in this year's Jerusalem Biennale. Learn more about my illustration for the Ki Tavo Torah portion here.
Le Noir, 30" x 40"
MID-ATLANTIC PAINTING BIENNALE AWARD WINNER
June 18 - August 1, 2015, McLean Project for the Arts, McLean, VA
My double portrait 'Le Rouge et Le Noir' (The Red and The Black) received an award (and a mention in the Washington Post) at the biennial exhibition 'Strictly Painting 10' presenting selected works by artists residing in the Mid-Atlantic region who are exploring the medium of painting. Vesela Sretenovic, Senior Curator of Modern and Contemporary Art at the Phillips Collection in Washington DC had the difficult task of conferring awards from amongst the 38 finalists she selected for the show, culled from over 400 submissions.
June 18 - August 1, 2015, McLean Project for the Arts, McLean, VA
My double portrait 'Le Rouge et Le Noir' (The Red and The Black) received an award (and a mention in the Washington Post) at the biennial exhibition 'Strictly Painting 10' presenting selected works by artists residing in the Mid-Atlantic region who are exploring the medium of painting. Vesela Sretenovic, Senior Curator of Modern and Contemporary Art at the Phillips Collection in Washington DC had the difficult task of conferring awards from amongst the 38 finalists she selected for the show, culled from over 400 submissions.
J'accuse (I accuse), detail
HOLOCAUST MEMORIAL EXHIBITION 2015, Bodzin Gallery, NVJCC
The Psychology of Scapegoating
My installation J'accuse (I accuse!) contains multiple references to anti-semitism throughout history, from Emile Zola's famous letter to the swastika-emblazoned banners of the Nazi regime. By inserting my own accusatory image, I am exposing the latent bigotry that can be awakened within each of us. Details about the exhibition and my artist talk here.
Back View, acrylic on canvas 12" x 12"
INTERNATIONAL SOCIETY OF ACRYLIC PAINTERS
6th Annual Exhibition 2015 THIRD PLACE WINNER!
'Back View' (left) won third place in the International Society of Acrylic Painters 6th Annual Exhibition juried by Linda Kemp, award-winning artist and author. Kemp's paintings and articles have appeared in Artist's Magazine, International Artist and American Artist to name just a few of the publications that have recognized her expertise in water based media.
6th Annual Exhibition 2015 THIRD PLACE WINNER!
'Back View' (left) won third place in the International Society of Acrylic Painters 6th Annual Exhibition juried by Linda Kemp, award-winning artist and author. Kemp's paintings and articles have appeared in Artist's Magazine, International Artist and American Artist to name just a few of the publications that have recognized her expertise in water based media.
ARTIST-IN-RESIDENCE, DINAN, FRANCE
February 2015
This cute little house – “La Vignette” – accommodates the artist-in-residence selected by Les Amis de la Grande Vigne under the auspices of the Yvonne Jean-Haffen Museum. La Vignette is situated at the base of the large estate-turned-museum that belonged to celebrated painter Yvonne Jean-Haffen. Eleven artists are selected annually and offered the exclusive use of La Vignette for one month. I am honored to have been February's resident artist. See images and learn more about my residency here.
February 2015
This cute little house – “La Vignette” – accommodates the artist-in-residence selected by Les Amis de la Grande Vigne under the auspices of the Yvonne Jean-Haffen Museum. La Vignette is situated at the base of the large estate-turned-museum that belonged to celebrated painter Yvonne Jean-Haffen. Eleven artists are selected annually and offered the exclusive use of La Vignette for one month. I am honored to have been February's resident artist. See images and learn more about my residency here.
News and views archives...
