news and views
Finally, a novel about one of art history's most notorious works of art...
LEARN MORE ABOUT MY AWARD WINNING NOVEL 'L'ORIGINE' HERE
**Winner of 6 major book awards, including the Publishers Weekly U.S. 2021 Selfies Award for Best Adult Fiction**
ART VIEWS highlights
CERAMIC WORK INCLUDED IN EXHIBITION AT
PHILADELPHIA MUSEUM OF JEWISH ART
MARCH-JULY 2026
This small but powerful ceramic work entitled Democracy
Dies in Darkness will be included in the upcoming 'Democracy: United We Stand' exhibition. It symbolizes a page from a burnt book and contains the words of a witness to the devastating destruction of Baghdad's booksellers' street by extremists. Read more about this series here.
PHILADELPHIA MUSEUM OF JEWISH ART
MARCH-JULY 2026
This small but powerful ceramic work entitled Democracy
Dies in Darkness will be included in the upcoming 'Democracy: United We Stand' exhibition. It symbolizes a page from a burnt book and contains the words of a witness to the devastating destruction of Baghdad's booksellers' street by extremists. Read more about this series here.
LONGLISTED FOR JACKSON'S ART PRIZE 2026
SEVERAL ROUNDS TO GO! FINGERS CROSSED!
So pleased to be longlisted for the very competitive Jackson's Art Prize - over 4200 submissions received!
See the image on the left of this page's banner above. 'Le Rouge' was one of my paintings selected, part of the diptych entitled Le Rouge et Le Noir inspired by Stendhal's famous 19th century novel.
SEVERAL ROUNDS TO GO! FINGERS CROSSED!
So pleased to be longlisted for the very competitive Jackson's Art Prize - over 4200 submissions received!
See the image on the left of this page's banner above. 'Le Rouge' was one of my paintings selected, part of the diptych entitled Le Rouge et Le Noir inspired by Stendhal's famous 19th century novel.
16TH WORKHOUSE CLAY INTERNATIONAL 2026
HERE WE COME! MARCH 14-MAY 9.
49 ceramic artists were selected for the 16th Workhouse Clay International opening on April 11th, 2026. My piece, Jasmine, from the Disneyland Revisited series was selected. It depicts how I envision one of Disney's idealized, animated heroines as a real life woman. Juror, Ben Carter, host of Tales of a Red Clay Rambler, as well as the executive producer for The Brickyard Network, a collection of ceramic podcasts, has selected me and two other participants to be interviewed in a live recording at the reception on April 11th. Details here.
ADC FINE ART MAGAZINE
FEATURED ARTIST JULY 2025
So pleased to be featured as an Artist To Watch in ADC's July issue. It was an honor to have been selected for their annual ART COMES ALIVE exhibition late last year (for my exhibited work, see below in ART NEWS HIGHLIGHTS).
FEATURED ARTIST JULY 2025
So pleased to be featured as an Artist To Watch in ADC's July issue. It was an honor to have been selected for their annual ART COMES ALIVE exhibition late last year (for my exhibited work, see below in ART NEWS HIGHLIGHTS).
THOMSON GALLERY, SWITZERLAND
JANUARY 2025
So pleased to have two of my works exhibited at Thomson Gallery in partnership with ARTBOXY. The feedback from the curator about this mixed media piece was very rewarding:
"Your exploration of maternal connection resonates profoundly, portraying a serene yet intimate moment that speaks to the universal experience of tenderness and vulnerability. The layering of mixed media beautifully conveys the quiet complexity of that bond. Viewers were captivated by its emotional depth, noting how it transports them into a peaceful realm of rest and comfort."
JANUARY 2025
So pleased to have two of my works exhibited at Thomson Gallery in partnership with ARTBOXY. The feedback from the curator about this mixed media piece was very rewarding:
"Your exploration of maternal connection resonates profoundly, portraying a serene yet intimate moment that speaks to the universal experience of tenderness and vulnerability. The layering of mixed media beautifully conveys the quiet complexity of that bond. Viewers were captivated by its emotional depth, noting how it transports them into a peaceful realm of rest and comfort."
ADC GALLERY GALA EXHIBITION
'ART COMES ALIVE' OCTOBER 2024
ADC MAGAZINE FEATURE AWARD WINNER
Delighted to have 'A Little Birdie Told Me' included in Art Design Consultant's annual exhibition ART COMES ALIVE. My mixed media piece (30" x 40") was also awarded a feature in ADC Magazine that reaches thousands of collectors and interior designers.
I have been working on painting figurative imagery over abstract, mixed media background and allowing the random colors and patterns to show through. It's been an invigorating time in the studio!
'ART COMES ALIVE' OCTOBER 2024
ADC MAGAZINE FEATURE AWARD WINNER
Delighted to have 'A Little Birdie Told Me' included in Art Design Consultant's annual exhibition ART COMES ALIVE. My mixed media piece (30" x 40") was also awarded a feature in ADC Magazine that reaches thousands of collectors and interior designers.
I have been working on painting figurative imagery over abstract, mixed media background and allowing the random colors and patterns to show through. It's been an invigorating time in the studio!
ONE IMAGE - MULTIPLE HONORS
COVER ART FOR COUNTER CLOCK
SELECTED BY ARTISTS MAGAZINE 2023 10 BEST OVER 60
This is one of my favorite mixed media/gelli print images from my Dreams series. Love the way it looks on the cover of Counter Clock and so excited to receive news that it was one of ten images selected by Artists Magazine judges to be featured in their upcoming issue. Stay tuned! SOLD
COVER ART FOR COUNTER CLOCK
SELECTED BY ARTISTS MAGAZINE 2023 10 BEST OVER 60
This is one of my favorite mixed media/gelli print images from my Dreams series. Love the way it looks on the cover of Counter Clock and so excited to receive news that it was one of ten images selected by Artists Magazine judges to be featured in their upcoming issue. Stay tuned! SOLD
MIAMI BASEL DECEMBER 2023
ARTBOX PROJECTS based out of Switzerland exhibited my latest painting Woman in a Red Turban (After van Eyck) in their booth at Spectrum Art Fair as part of Miami Basel.
When Jan van Eyck painted Portrait of a Man in a Red Turban in 1433, he was well into middle age and had reached a level of accomplishment that few artists of his
time could ever hope to attain. His uncanny command over the relatively new medium of oil paint won him the patronage of the rich and powerful. The iconic painting
is believed to be the artist's self-portrait.
My self-portrait, Woman in a Red Turban (After van Eyck), was prompted by a desire to engage in creative dialogue with one of the greatest artists in history. I was inspired not only by the technical challenges but by the prospect of turning inward and assessing my own creative achievements at a similar point in my life.
All of van Eyck's paintings bear the words AIC IXH XAN,
loosely translated from the Greek as I DO AS I CAN. Scholars have posited that the artist may well have intended it to mean I DO AS (ONLY) I CAN, a nod to his
superior talent. I have hijacked van Eyck's personal motto but from the perspective of a woman, a mother and a wife. A very different connotation.
ARTBOX PROJECTS based out of Switzerland exhibited my latest painting Woman in a Red Turban (After van Eyck) in their booth at Spectrum Art Fair as part of Miami Basel.
When Jan van Eyck painted Portrait of a Man in a Red Turban in 1433, he was well into middle age and had reached a level of accomplishment that few artists of his
time could ever hope to attain. His uncanny command over the relatively new medium of oil paint won him the patronage of the rich and powerful. The iconic painting
is believed to be the artist's self-portrait.
My self-portrait, Woman in a Red Turban (After van Eyck), was prompted by a desire to engage in creative dialogue with one of the greatest artists in history. I was inspired not only by the technical challenges but by the prospect of turning inward and assessing my own creative achievements at a similar point in my life.
All of van Eyck's paintings bear the words AIC IXH XAN,
loosely translated from the Greek as I DO AS I CAN. Scholars have posited that the artist may well have intended it to mean I DO AS (ONLY) I CAN, a nod to his
superior talent. I have hijacked van Eyck's personal motto but from the perspective of a woman, a mother and a wife. A very different connotation.
AWARD WINNER 'REPRESENSATIONAL'
Heartland Arts Club, MO AUGUST-OCTOBER 2023
Delighted to be an award winner selected from over eight hundred entries. My series of small format
(5" x 7") paintings of sleeping women has been an ongoing project. I hope to exhibit them all as a solo show.
Heartland Arts Club, MO AUGUST-OCTOBER 2023
Delighted to be an award winner selected from over eight hundred entries. My series of small format
(5" x 7") paintings of sleeping women has been an ongoing project. I hope to exhibit them all as a solo show.
selected articles/features
CERAMICS MONTHLY SEPTEMBER 2023 ISSUE
'More Clay: The Power of Repetition' by Lilianne Milgrom
I wrote a feature review of an exciting exhibition I saw at the Katzen Art Center in Washington DC. The show in question was titled More Clay, curated by Rebecca Cross of Cross MacKenzie Gallery. The article begins like this:
"Walking into the expansive space that houses the group show More Clay, one is immediately struck by the necessity to ditch any preconceived notions of what clay is capable of..."
'More Clay: The Power of Repetition' by Lilianne Milgrom
I wrote a feature review of an exciting exhibition I saw at the Katzen Art Center in Washington DC. The show in question was titled More Clay, curated by Rebecca Cross of Cross MacKenzie Gallery. The article begins like this:
"Walking into the expansive space that houses the group show More Clay, one is immediately struck by the necessity to ditch any preconceived notions of what clay is capable of..."
CERAMICS MONTHLY SEPTEMBER 2021 ISSUE
'Elbow Deep' by Lilianne Milgrom (Full article here)
Wayne Perry’s decades-long ceramics career has been characterized by an unwavering determination to create authentic work in keeping with his beliefs and principles. One of the noteworthy aspects of this Los Angeles–based artist’s multi-faceted career is that it was largely unplanned and rather serendipitous. He explains, “I never set out to be a ‘Black potter’ or a ‘Black artist’ in the same way that I never set out to be a ceramic artist, but here I am, elbow deep in clay.” I very much enjoyed talking to Wayne about his work and how he uses the medium of clay to voice his views on life, culture and politics.
'Elbow Deep' by Lilianne Milgrom (Full article here)
Wayne Perry’s decades-long ceramics career has been characterized by an unwavering determination to create authentic work in keeping with his beliefs and principles. One of the noteworthy aspects of this Los Angeles–based artist’s multi-faceted career is that it was largely unplanned and rather serendipitous. He explains, “I never set out to be a ‘Black potter’ or a ‘Black artist’ in the same way that I never set out to be a ceramic artist, but here I am, elbow deep in clay.” I very much enjoyed talking to Wayne about his work and how he uses the medium of clay to voice his views on life, culture and politics.
LILIANNE MILGROM FEATURED IN ELAN MAGAZINE
Elan magazine kicked off the year with a feature article showcasing my art.
The article covers a variety of styles and mediums that I like to work in. The most important thing for me is to create work in a style that the subject demands. Read the full article here.
Elan magazine kicked off the year with a feature article showcasing my art.
The article covers a variety of styles and mediums that I like to work in. The most important thing for me is to create work in a style that the subject demands. Read the full article here.
CHECK OUT MORE NEWS AND VIEWS HERE
spotlight on new works
Welcome to my studio. CHECK OUT MY NEW MIXED MEDIA WORKS!! This month's spotlight features a painted nude over collage. I'd love to hear your thoughts. Comments or inquiries are always welcome here.
