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PREPARING FOR 2020 EXHIBITION
Working on sculptural clay and mixed media works for the Re-sisters Women in Clay invitational exhibition headed to the National Clay Conference in Richmond, 2020. Details to come.
Working on sculptural clay and mixed media works for the Re-sisters Women in Clay invitational exhibition headed to the National Clay Conference in Richmond, 2020. Details to come.
FEATURE ARTICLE IN ELAN MAGAZINE JANUARY 2020
Elan magazine kicked off the year with a feature article showcasing my art.
The article covers a variety of styles and mediums that I like to work in. The most important thing for me is to create work in a style that the subject demands. Read the full article here.
Elan magazine kicked off the year with a feature article showcasing my art.
The article covers a variety of styles and mediums that I like to work in. The most important thing for me is to create work in a style that the subject demands. Read the full article here.
PUBLISHED IN HUFFINGTON POST
So excited! Check it out here. A teaser for my upcoming book 'L'Origine'.
So excited! Check it out here. A teaser for my upcoming book 'L'Origine'.
ARTIST IN RESIDENCE JULY 2019
LMSTUDIO IN HYERES, FRANCE
Artist residencies are all about experimentation and allowing the new environment to organically insert itself into one's work. The mixed media work at left (SOLD) was initially inspired by the colors of the French flag - prominently displayed in anticipation of Bastille Day, France's Independence Day. I've been working on watercolor, mixed media and getting back to my first love - painting! Check out my blog for more about my experience, and my INSTAGRAM @liliannemilgrom.
LMSTUDIO IN HYERES, FRANCE
Artist residencies are all about experimentation and allowing the new environment to organically insert itself into one's work. The mixed media work at left (SOLD) was initially inspired by the colors of the French flag - prominently displayed in anticipation of Bastille Day, France's Independence Day. I've been working on watercolor, mixed media and getting back to my first love - painting! Check out my blog for more about my experience, and my INSTAGRAM @liliannemilgrom.
SEPTEMBER 2019: FRANCE HERE I COME - AGAIN
You can take the girl out of France, but you can't take the French out of the girl! Aside from the artist residency in Hyeres for the month of July (SEE DETAILS ABOVE) my work was included in an exhibition at the magnificent Benedictine abbey (pictured left) organized by Les Amis de la Grande Vigne together with the Yvonne Jean-Haffen Museum in Dinan.
You can take the girl out of France, but you can't take the French out of the girl! Aside from the artist residency in Hyeres for the month of July (SEE DETAILS ABOVE) my work was included in an exhibition at the magnificent Benedictine abbey (pictured left) organized by Les Amis de la Grande Vigne together with the Yvonne Jean-Haffen Museum in Dinan.
CERAMIC WORK SELECTED FOR 'SMALL FAVORS' EXHIBITION
The Clay Studio, Philadelphia, PA JUNE 2019
The Clay Studio, a leading light in the ceramic arts, features an annual exhibition of small ceramic works no larger than 4" x 4". The show showcased selected ceramic artists in a variety of styles. It is fascinating to see how much punch small works can pack. My ceramic sculpture, Collateral Damage (left), was exhibited in this year's juried exhibition.
The Clay Studio, Philadelphia, PA JUNE 2019
The Clay Studio, a leading light in the ceramic arts, features an annual exhibition of small ceramic works no larger than 4" x 4". The show showcased selected ceramic artists in a variety of styles. It is fascinating to see how much punch small works can pack. My ceramic sculpture, Collateral Damage (left), was exhibited in this year's juried exhibition.
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spotlight on new works
Welcome to my studio. This month's spotlight features an experimental piece based on a photograph I took at an art fair in Baltimore years ago. I enlarged and cropped the blurry image and had it printed on canvas. Then I proceeded to paint over it. For example, I whited out the background and painted flesh tones over her clothing to make her appear naked. I highlighted features of her face and added a bird spouting a jumble of printed words transferred onto the canvas with medium.
Comments or inquiries are always welcome through the contact form.
Comments or inquiries are always welcome through the contact form.
